I Draw Slow
“Turn Your Face To The Sun”
Rich vocals and layered harmonies exemplify the sound of the Irish-bred American roots band, I Draw Slow.
The vocals of siblings Louise and Dave Holden complement their songs, all originals, on “Turn Your Face To The Sun”. Dave Holden has a powerful alto resonance, whilst Louise Holden commands the higher range with easy assuredness. The songs tell stories, with clarity and punch.
I Draw Slow represents a reverse-pollination of American music. Irish to the core, the band presents a solid American roots sound. Music from Celtic countries has always had a strong influence on American mountain music. This predated modern country music, but it’s lineage was most recently emphasized in the so-called “linthead” milieu– a mountain music thread popularized in the industrial South during the earlier part of the 20th century by, among others, Fiddlin’ John Carson , The Dixon Brothers and Charlie Poole, all of whom worked in the fabric mills of the Carolinas and Georgia (hence the term “linthead”) when they weren’t playing music. Carson, as the story goes, started on a Stradivari knock off imported with his family from Ireland.
I Draw Slow infuses the conventional roots sound with a hint of the Celtic ethos, most especially in their instrumentation, heavily relying on fiddle and a light touch of guitar. “Turn Your Face To The Sun” was recorded in County Wicklow, but it has the soul and intensity of a late summer call night on the porch in the Piedmont Valley.
“Don’t Wake The Children” offers an other-worldly construct of these elements: harmonies, powerful lyrics, and a mournful fiddle line from Adrian Hart. Dave Holden contributes guitar and mandolin licks throughout. “Crooked Life”, which closes the album, adopts the form of a straight ahead tempo, only to be interrupted by a sweet interlude, which is not a bad metaphor for life itself.
“Alvarenga” distils the I Draw Slow sound: easy vocals, sharp lyrics, and a timeless quality that has an early 21st-century depth. “Turn You Face To The Son” is just that kind of record; a confident display of songwriting chops and inspired singing.